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Wednesday, July 02, 2014

YouTube the Community vs. YouTube the Business


When YouTube was hailed as "The New Hollywood" it seemed as though the golden age of online video had arrived. Ordinary people were becoming stars, video was being democratized, from retro to cult to niche if ever there was a place where content was king it was the kingdom of YouTube.

The Bizarre Landscape of YouTube

Michael Jackson & Janet Jackson 'Scream' - The most expensive music video of all time at $7,000,000
33 million views


'Charlie Bit My Finger' Two otherwise unknown English kids (I'm guessing it didn't have huge production costs)
732 million views
... and here's the app off the back of it https://play.google.com/store/apps/details?id=com.viralspiral.charlie 


While discussion of the "Greatest TV Drama Ever" can range from Breaking Bad to The Wire or from The Wire to Breaking Bad, YouTube offers literally millions of videos and each user likely has their own favourites.

Personal favourite: 'All Your Base Are Belong To Us' has it all from dreadful Japanese to English translation, an obnoxious soundtrack to smart, funny photo-editing. All in all it goes pretty far to summing up community driven, meme-led portion of the internet .
900,000 views

Of course the ludicrous freedom and variety was supported by a sophisticated and successful revenue model, with ad placement making YouTube its earnings. A figure of likely $5.6 billion in 2013, which is not too shabby. YouTube hit upon an irresistible offer for content creators, the chance to take home 55% of the profits from advertising around their videos, while YouTube takes a 45% cut. That's 55% of something (and potentially a lot) or 100% of nothing. It's an easy choice, one that made likes of PewDiePie millions of ad dollars for playing games and just generally putting himself on display.

Now YouTube seeks to offer premium models to diversify the experience and take some profit from the growing revenues of streaming services for both video and music. With many major labels comfortably tied into deals with YouTube already through publishing companies like music-only Vevo, smaller independent labels are fighting tooth and nail with YouTube claiming the terms they're being offered are unfair. YouTube's wielding its power by threatening to remove the videos from these labels already on the services. While one could argue YouTube is bullying the 'little guy' it's also fair to point out being able to have your wares in the shopfront that is YouTube has been a massive advantage for the labels.

The effects of YouTube go far beyond making some people very rich though, as exemplified by one lawsuit filed by Ghyslain Raza who claimed the sharing of his video had 'ruined his life'. Not a name you recognise? You may know him as Star Wars kid. Appropriately he's now a law school graduate - specialising in cyber bullying.

This is how you get the name 'Star Wars Kid'...
29 million views


From an often bizarre mishmash of poorly executed oddities YouTube has grown to be possibly the most dominant force in video on the planet, which is remarkable seeing as it was only started in 2005. Simply if you want a video online, overwhelmingly you go to YouTube (unless you're artsy enough to use Vimeo). Now it'll even support HD 60fps, offering Blu-Ray level quality from a little box on your browser. More than that though YouTube can wield the monolithic power of a media giant, decreeing what will and will not be happening (or seen) in online video - perhaps even video in general. Much like Google, YouTube has gone from being a relatively passive curator to an active director of content, making rules and distinctions and sub-levels as it goes.

Here's a 60 FPS video for Battlefield: Hardline, which further affirms YouTube's close relationship with gamer culture.


An odd sandpit where the likes of Billy in his bedroom with some pirated animation software and the cheapest midi keyboard he could find on Ebay can outdo Michael Bay and a billion dollars of exploding this and that. YouTube has the challenge to find a balance between its impeccably slick, media-dominating money-making aspirations and the interests and preferences of possibly most engaged large community on the web.

But with Google at the helm, who've shown an adeptness at growing huge and all-powerful while still remaining relatively well liked, YouTube stands a decent chance of juggling all those balls at once - if taking the odd swipe at some of the pillars of traditional media along the way. As long as it does there'll be a fair few more hits the like of "Leave Britney Alone" and "Nyan Cat" yet.

Nyan Cat
Racking up an amazing 110,000,000 views Nyan Cat has almost matched last year's Super Bowl for number of viewers - the most watched event in TV history

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Friday, June 27, 2014

What happened this week?

Welcome to our weekly round-up of what's making all the noise in digital, social media, advertising and design.

Android gets a brand new bag. And watch. And car. And over-arcing design language. Google goes on to announce a plethora of other stuff at I/O.

Material Design asks that the z-axis is a consideration for every pixel - a revolutionary step from Google
(credit: the verge)


Luis Suarez takes a bite out of advertiser's reputations  - gets dropped by 888 poker

'These things happen in the box' said Suarez. 888 Poker obviously didn't buy that it was all too common.


Always' "Like a Girl" campaign grabbed hearts and minds with its empowering message

The short film, directed by Lauren Greenfield, is already well on its way to one million views and is winning universal acclaim.
(credit: time)


Finally, giving this first round-up the bombastic ending it deserves...

Social Media erupted with love for the Mexico manager Miguel Herrera, who booked his side's place in the second round with a tactical masterclass against Croatia.

The highest level of internet adoration - incredibly talented people you've never met spending hours editing videos to grant you all manner of superpowers.
(credit: the guardian)

Check back next week for four more interesting stories.

Follow us on Twitter @chrysalisrec, or me at @_matthewdavies

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Thursday, June 26, 2014

Now Hiring: Recruitment Account Manager


Chrysalis is a well established, boutique recruitment consultancy. With a HQ in Central Manchester and a satellite office in Covent Garden, we focus on delivery across digital marketing for global Media Agencies and Online Brands. We are split into 2 distinct areas – one is the account management of expanding enterprises or multinationals while the other is delivering against one-off specialist roles. We are a small team currently, focussed on providing an outstanding service to clients and candidates alike which means our Consultants bill big figures and reap the financial rewards of providing a first class solution.

Role:
We have 4 “pods” of clients within our London market. Through gradual business development and nurturing, each pod comprises 2-4 clients. These clients are either global Digital Agencies or subsidiaries where we have already established a solid working relationship and a ledger of regular business. We are now looking to recruit Account Managers (or Trainee Account Managers) to have full responsibility for each of these pods to allow us to take each client relationship even further.

As an Account Manager you will have full responsibility for:

  • Qualifying jobs
  • Filling jobs (either personally or through a Resource Consultant)
  • Relationship management
  • Developing business within client teams we are yet to forge relationships with
  • Business forecasting
  • The building of a team to support the level of business being generated
  • Regular on-site contact
Requirements:
  • You will have worked in an Agency as a Recruitment Consultant for at least 12 months
  • You will be a successful biller through good client and candidate management
  • You will be able to interface with clients in a professional and appropriate manner
  • Either you have worked in Digital Marketing Recruitment or you will have a keen interest in it
  • You may be a Recruitment Consultant looking to get away from a cold-calling desk and into a stable AM role
  • Ideally you will have some managerial or team leading experience
Salary:
Basic – based on experience (expected OTE: £50,000 upwards based on size of team/ accounts)

Call 0161 833 3874 or email info@chrysalisrecruitment.com for more information
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Monday, June 23, 2014

The Discussion: The Rise of Anti-Social Media?

The Rise of Anti-Social Media: Are the major social networks getting less and less social? 

That's the question we asked to some top experts from digital agencies. Here's what they had to say.

Let's start with the thoughts of Dan Sodergen (@ukmarketinghelp) a Digital Marketing consultant and regular events speaker.


"Many marketing people have gotten used to an easy life. Social was about posting and now they cry “foul” because the platforms on which they post change the rules.

As for the idea that new platforms are “anti brand / anti social” this is nonsense. Such platforms protect their early adopters before they cross the chasm and change strategy. Some will do so better than others. In my mind "old boy" Twitter with well-timed advertising is the best so far for non-intrusive value add for content distribution. But ‘new’ formats like Pinterest’s new tools for businesses, Snapchat’s new events for brands, and powerhouse content centers like BuzzFeed all have or are sponsored and might be amazing.

But what is amazing is that BuzzFeed with around 3,000 articles produced 20.7 million likes, 13.7 million comments, and 47.5 million interactions in March alone. How? They gave people want they wanted which is mainly things about themselves and things that entertain them and their friends.

As someone wiser than I said many moons ago* "If you're going to crash the party, bring some champagne with you."

If brands are producing something which doesn’t get shared – they need to look themselves for interrupting people’s lives with branded cheap wine rather than the glass it comes in."


Sarah Bradley (@sarahmbradley), Head of Social, at Receptional (@receptional) and an Editor at State of Digital, takes a stand against our (admittedly provocative) title and makes a great point - if brands find it hard to reach their audience then their strategy is at fault.

"I don’t think any changes we have seen within social networks are ‘anti-social media’! The nature of social media is that it’s reactive, fluid and ever-changing. Networks are desperately trying to keep up with the way we use their networks, so changes such as the Twitter mute option and new networks like Snapchat are simply a natural progression of social networking today. A successful network provides its users with the space they need to make it their own. Take Facebook for example: launched in 2004 as a University-based network, Facebook quickly became popular with people who used university emails to create an account so Facebook expanded. Back then it was primarily text based - status updates, comments etc. Until massive picture share that started to mould the way we communicate online today so Facebook adapted again.

New ways of communicating have evolved in the past 10 years and social networks have to try and respond to, and anticipate, as many of these ‘evolutions’ as they can to remain popular; they are businesses after all.

If brands who use social networks are finding it harder to reach their audience, it’s their strategy that is at fault, not the network. Today’s consumers expect more from their brands.

Paid content will remain successful as the way it is placed before consumers is evolving too; social network paid ads are sophisticated, fun to run and cheap as chips so are still a viable option for many. However they cannot be successful without a great, adaptive strategy behind them with content that captures attention and isn’t ‘sales focussed’. The brands who do well with social media remember their customer’s interests come first and that interactions happen when they are happy or interested; sales should rise naturally as a result of customer happiness."



Sian Ediss (@fox_creative_), Head of Social, Online Ventures Group (@ov_group)  offered an amusing personal take on the sanitisation of social networks and rued the loss of Keanu Reeves memes:

"Facebook is going through a midlife crisis, what was once a fun and engaging platform is now a minefield of ‘Dos and Don’ts’.  Brands have been discouraged to ‘like-bait’ as poor Facebook is feeling played. Users have also been told by Mr FB that memes are no longer quality content, I for one, will never tire of seeing the Keanu Reeves dumbfounded face. Ever.

Quality content is what social platforms are looking for, this is important, but the freedom of social media is what makes it an exciting and creative place to hang out. With rules and regulations, muting and ‘tellings off’, I can’t help but feel a bit stifled in the "anti-​social media​"​ world of late."

Just for Sian, here's our favourite 'Conspiracy Keanu'




BadMan Media (@badmanmedia) brings an interesting arsenal of figures and proves that the shift from image to video hasn't quite taken full swing yet.

"Social media activity is an important aspect of brand marketing. Determining the impact of content, activity and time spent on the network is critical to deciding how to move forward, how to adjust and how to actively engage users.
Facebook knows that spammy content has cluttered news feeds
"Like-baiting" refers to posts that explicitly ask readers to like, comment, or share the post in order to get more distribution. According to Facebook, these types of posts are 15% less relevant than other stories with a comparable number of likes, comments, and shares.
Ideally a lot of brands now are heading over to Twitter more to engage and share content with their followers but now with the Mute button being introduced it's even harder and more important for companies to watch and take care in what content they post and share.

Anyone can say they are a social media ''expert'' but now it's becoming more of a skill and takes more than just posting a tweet or sharing a photo on Facebook
Companies have to adapt to these changes rapidly before they fall behind and become just another fish in a very, very large pond.

When Instagram revealed its 15-second video feature, it received a lot of buzz in the media. Overall, video seems to be making an impact, but photos still receive 37 interactions for every 1,000 followers, compared to 24-per-1,000 for videos. Fortune 500 companies have been slow to adopt the feature, as well, with only 74 videos shared in the past 30 days. In that same time period, the companies shared 1,792 photos. This helps support the claim that Instagram is still a photo sharing site at its core. And many people are now using Instagram to follow brands because of this.
Overall, these advertisers are watching Twitter and other social networks to see what topics are getting the most attention, and putting together short blog posts, tweets and videos that match those themes - in hopes that the online audience will become more aware of the brand and see it as relevant to their interests and needs. Then, if one topic isn't getting attention any more, the companies can drop it without much fuss, and switch gears quickly to follow the next hot discussion.

#KeepItBadman"


Rob Goodswen (@robgoodswen), Social Media Executive, Access Advertising (@accessdigital), zoned in on the shift towards paid advertisement.

"The recent push toward paid advertisement by the major players in social, particularly Facebook, has made it increasingly difficult to reach your audience organically. This is a clear power play by Mr. Zuckerberg, a man who has a world of information at his command and whether you agree or not it’s a fairly smart one. With over a billion users, Facebook is the flagship of social media. People spend inordinate amounts of their day scrolling through their feeds and for that simple reason brands will pay for their posts to be seen. If you don’t like it, switch platforms.

Content, content, content. It feels as though this is now the industry buzzword. If you have good content are you guaranteed to have it seen by anyone? NO. Why would just ‘good content’ boost your organic reach? If there was a man in charge of how many eyes see a particular post I believe that he would be inundated with that many requests for more reach that he simply wouldn’t give two shits if the content was good. He wouldn’t have time to read it. Content is key when people click the link which takes them to it. The craft of the message which intrigues people to want to read your content is the first important step.

The Twitter ‘mute’ function is an essential tool for users who don’t wish to see tweets by people that they don’t want to unfollow but don’t want to hear from any more. Sure some users might want to ‘mute’ a brand, but all that means is that the brand has failed to continue to appeal to the user. Social marketeers shouldn’t be put off by this, rather they should concentrate on producing less annoying/offensive or illegible tweets.

Is social media becoming less social? I’m not sure. What I am sure about is that increasing amounts of people are taking on social media based roles without much knowledge of the craft. We wouldn’t trust a first year graphic designer with a full re-brand project for Apple would we? If companies invested more in their social department, adopting a strong and easy to follow social media policy, social media would be a much better place. Stop getting the teaboy/girl to do your social. Idiots."

So many great points above, on a wider level I think this shift represents a change in both how we use social networks and the internet and our expectations from those things. For arguably the first time in the modern era a generation is growing that can separate itself from intrusive, unwanted advertising - which means the platforms for advertising must change their behaviour accordingly. Concerns about privacy and over-sharing have led to much more closely-knit groups sharing more personal content and the rise of ephemeral media, such as Snapchat, has offered an ingenious antidote to data that exists permanently with ever-diminishing context. 

Our relationship with social networks might have reached a point where the novelty of ease of communication, with brands, acquaintances and friends has worn off. Now people are looking to hone and improve their experience, as well as having an increased sense of their own place within relationships, their security and their vulnerability.

Thanks to all our excellent contributors. 

The Discussion is never over, look out for a new topic in the coming weeks!

What do you think - is social media turning away from its sharing values in search of cold hard cash, or just responding to user behaviour?

Get in touch @chrysalisrec and @_matthewdavies, if you'd like to add your guest opinion to the next discussion, e-mail matthew.davies@chrysalisrecruitment.com


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Friday, June 20, 2014

How to use negative space for positive impact
The latest campaign for Coca Cola, devised by Ogilvy New York, has won hearts and acclaim with its artful use of simple but clever illustration. Three of the poster series use negative space effectively to tie together messages of nature and humanism, while there's a bonus optical illusion as the fourth poster, last played with by Animal Collective for their album cover.


(credit: fubiz)

In an allegedly 'post-advertising' world the simplest real-life cityscape, or even stylised model, can carry myriad connotations that clutter, or worse oppose, the brand's intended message. However moving to a simpler illustrated style allows Coca Cola to heighten the effect of their signature red and white and hone the two values of happiness and environmentalism contained within the ads.

Using negative space to create an image within an image offers an interaction with the user and a duality, which can be used to host complementary or contrasting messages. Perhaps the most prominent illustrator working with negative space imagery is Noma Bar, who has created striking images for The Guardian, The Economist and Esquire often focussing on stark symbolisation of conflict.

(credit: the guardian)

Noma Bar went on to create a more accessible but no less intelligent campaign for IBM, that highlighted the computer-giant's leading conceptual solutions to real-world problems, in a fun and friendly way. Well as fun and friendly as the topic of a giant network cameras watching your every move and its Minority Report-ish heading will allow.


(credit: Noma Bar, 'Negative Spaces')

It's no millennial fad though, the use of negative space was explored heavily by some of the key figures in conceptual art, such as Rene Magritte and MC Escher, while the striking designs of Noma Bar bear an obvious relationship to Pop Art. As it turns out, surrealists love a good bird. 

Magritte 'The Large Family'
(credit: art bible)

One of Escher's tesselations 
(credit: doddleme)


The level of skill and subtlety needed to create these type of designs sees them become far less over-played than some other current design trends (looking at you, translucent backgrounds and indistinguishable flat icons). When it's successfully executed though it tends to make an impact and the latest Coke campaign only serves to highlight that point. The concept even creeps over into physical space, with clever ambient ads using environmental elements to change the image.


As audiences increasingly tune out images and messaging, it takes a much greater proposition to make an impact, but as Koleston, Coca Cola and IBM have proved sometimes the most focused and direct voice speaks loudest above the noise.

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