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Friday, June 27, 2014

What happened this week?

Welcome to our weekly round-up of what's making all the noise in digital, social media, advertising and design.

Android gets a brand new bag. And watch. And car. And over-arcing design language. Google goes on to announce a plethora of other stuff at I/O.

Material Design asks that the z-axis is a consideration for every pixel - a revolutionary step from Google
(credit: the verge)


Luis Suarez takes a bite out of advertiser's reputations  - gets dropped by 888 poker

'These things happen in the box' said Suarez. 888 Poker obviously didn't buy that it was all too common.


Always' "Like a Girl" campaign grabbed hearts and minds with its empowering message

The short film, directed by Lauren Greenfield, is already well on its way to one million views and is winning universal acclaim.
(credit: time)


Finally, giving this first round-up the bombastic ending it deserves...

Social Media erupted with love for the Mexico manager Miguel Herrera, who booked his side's place in the second round with a tactical masterclass against Croatia.

The highest level of internet adoration - incredibly talented people you've never met spending hours editing videos to grant you all manner of superpowers.
(credit: the guardian)

Check back next week for four more interesting stories.

Follow us on Twitter @chrysalisrec, or me at @_matthewdavies

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Thursday, June 26, 2014

Now Hiring: Recruitment Account Manager


Chrysalis is a well established, boutique recruitment consultancy. With a HQ in Central Manchester and a satellite office in Covent Garden, we focus on delivery across digital marketing for global Media Agencies and Online Brands. We are split into 2 distinct areas – one is the account management of expanding enterprises or multinationals while the other is delivering against one-off specialist roles. We are a small team currently, focussed on providing an outstanding service to clients and candidates alike which means our Consultants bill big figures and reap the financial rewards of providing a first class solution.

Role:
We have 4 “pods” of clients within our London market. Through gradual business development and nurturing, each pod comprises 2-4 clients. These clients are either global Digital Agencies or subsidiaries where we have already established a solid working relationship and a ledger of regular business. We are now looking to recruit Account Managers (or Trainee Account Managers) to have full responsibility for each of these pods to allow us to take each client relationship even further.

As an Account Manager you will have full responsibility for:

  • Qualifying jobs
  • Filling jobs (either personally or through a Resource Consultant)
  • Relationship management
  • Developing business within client teams we are yet to forge relationships with
  • Business forecasting
  • The building of a team to support the level of business being generated
  • Regular on-site contact
Requirements:
  • You will have worked in an Agency as a Recruitment Consultant for at least 12 months
  • You will be a successful biller through good client and candidate management
  • You will be able to interface with clients in a professional and appropriate manner
  • Either you have worked in Digital Marketing Recruitment or you will have a keen interest in it
  • You may be a Recruitment Consultant looking to get away from a cold-calling desk and into a stable AM role
  • Ideally you will have some managerial or team leading experience
Salary:
Basic – based on experience (expected OTE: £50,000 upwards based on size of team/ accounts)

Call 0161 833 3874 or email info@chrysalisrecruitment.com for more information
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Monday, June 23, 2014

The Discussion: The Rise of Anti-Social Media?

The Rise of Anti-Social Media: Are the major social networks getting less and less social? 

That's the question we asked to some top experts from digital agencies. Here's what they had to say.

Let's start with the thoughts of Dan Sodergen (@ukmarketinghelp) a Digital Marketing consultant and regular events speaker.


"Many marketing people have gotten used to an easy life. Social was about posting and now they cry “foul” because the platforms on which they post change the rules.

As for the idea that new platforms are “anti brand / anti social” this is nonsense. Such platforms protect their early adopters before they cross the chasm and change strategy. Some will do so better than others. In my mind "old boy" Twitter with well-timed advertising is the best so far for non-intrusive value add for content distribution. But ‘new’ formats like Pinterest’s new tools for businesses, Snapchat’s new events for brands, and powerhouse content centers like BuzzFeed all have or are sponsored and might be amazing.

But what is amazing is that BuzzFeed with around 3,000 articles produced 20.7 million likes, 13.7 million comments, and 47.5 million interactions in March alone. How? They gave people want they wanted which is mainly things about themselves and things that entertain them and their friends.

As someone wiser than I said many moons ago* "If you're going to crash the party, bring some champagne with you."

If brands are producing something which doesn’t get shared – they need to look themselves for interrupting people’s lives with branded cheap wine rather than the glass it comes in."


Sarah Bradley (@sarahmbradley), Head of Social, at Receptional (@receptional) and an Editor at State of Digital, takes a stand against our (admittedly provocative) title and makes a great point - if brands find it hard to reach their audience then their strategy is at fault.

"I don’t think any changes we have seen within social networks are ‘anti-social media’! The nature of social media is that it’s reactive, fluid and ever-changing. Networks are desperately trying to keep up with the way we use their networks, so changes such as the Twitter mute option and new networks like Snapchat are simply a natural progression of social networking today. A successful network provides its users with the space they need to make it their own. Take Facebook for example: launched in 2004 as a University-based network, Facebook quickly became popular with people who used university emails to create an account so Facebook expanded. Back then it was primarily text based - status updates, comments etc. Until massive picture share that started to mould the way we communicate online today so Facebook adapted again.

New ways of communicating have evolved in the past 10 years and social networks have to try and respond to, and anticipate, as many of these ‘evolutions’ as they can to remain popular; they are businesses after all.

If brands who use social networks are finding it harder to reach their audience, it’s their strategy that is at fault, not the network. Today’s consumers expect more from their brands.

Paid content will remain successful as the way it is placed before consumers is evolving too; social network paid ads are sophisticated, fun to run and cheap as chips so are still a viable option for many. However they cannot be successful without a great, adaptive strategy behind them with content that captures attention and isn’t ‘sales focussed’. The brands who do well with social media remember their customer’s interests come first and that interactions happen when they are happy or interested; sales should rise naturally as a result of customer happiness."



Sian Ediss (@fox_creative_), Head of Social, Online Ventures Group (@ov_group offered an amusing personal take on the sanitisation of social networks and rued the loss of Keanu Reeves memes:

"Facebook is going through a midlife crisis, what was once a fun and engaging platform is now a minefield of ‘Dos and Don’ts’.  Brands have been discouraged to ‘like-bait’ as poor Facebook is feeling played. Users have also been told by Mr FB that memes are no longer quality content, I for one, will never tire of seeing the Keanu Reeves dumbfounded face. Ever.

Quality content is what social platforms are looking for, this is important, but the freedom of social media is what makes it an exciting and creative place to hang out. With rules and regulations, muting and ‘tellings off’, I can’t help but feel a bit stifled in the "anti-​social media​"​ world of late."

Just for Sian, here's our favourite 'Conspiracy Keanu'




BadMan Media (@badmanmedia) brings an interesting arsenal of figures and proves that the shift from image to video hasn't quite taken full swing yet.

"Social media activity is an important aspect of brand marketing. Determining the impact of content, activity and time spent on the network is critical to deciding how to move forward, how to adjust and how to actively engage users.
Facebook knows that spammy content has cluttered news feeds
"Like-baiting" refers to posts that explicitly ask readers to like, comment, or share the post in order to get more distribution. According to Facebook, these types of posts are 15% less relevant than other stories with a comparable number of likes, comments, and shares.
Ideally a lot of brands now are heading over to Twitter more to engage and share content with their followers but now with the Mute button being introduced it's even harder and more important for companies to watch and take care in what content they post and share.

Anyone can say they are a social media ''expert'' but now it's becoming more of a skill and takes more than just posting a tweet or sharing a photo on Facebook
Companies have to adapt to these changes rapidly before they fall behind and become just another fish in a very, very large pond.

When Instagram revealed its 15-second video feature, it received a lot of buzz in the media. Overall, video seems to be making an impact, but photos still receive 37 interactions for every 1,000 followers, compared to 24-per-1,000 for videos. Fortune 500 companies have been slow to adopt the feature, as well, with only 74 videos shared in the past 30 days. In that same time period, the companies shared 1,792 photos. This helps support the claim that Instagram is still a photo sharing site at its core. And many people are now using Instagram to follow brands because of this.
Overall, these advertisers are watching Twitter and other social networks to see what topics are getting the most attention, and putting together short blog posts, tweets and videos that match those themes - in hopes that the online audience will become more aware of the brand and see it as relevant to their interests and needs. Then, if one topic isn't getting attention any more, the companies can drop it without much fuss, and switch gears quickly to follow the next hot discussion.

#KeepItBadman"


Rob Goodswen (@robgoodswen), Social Media Executive, Access Advertising (@accessdigital), zoned in on the shift towards paid advertisement.

"The recent push toward paid advertisement by the major players in social, particularly Facebook, has made it increasingly difficult to reach your audience organically. This is a clear power play by Mr. Zuckerberg, a man who has a world of information at his command and whether you agree or not it’s a fairly smart one. With over a billion users, Facebook is the flagship of social media. People spend inordinate amounts of their day scrolling through their feeds and for that simple reason brands will pay for their posts to be seen. If you don’t like it, switch platforms.

Content, content, content. It feels as though this is now the industry buzzword. If you have good content are you guaranteed to have it seen by anyone? NO. Why would just ‘good content’ boost your organic reach? If there was a man in charge of how many eyes see a particular post I believe that he would be inundated with that many requests for more reach that he simply wouldn’t give two shits if the content was good. He wouldn’t have time to read it. Content is key when people click the link which takes them to it. The craft of the message which intrigues people to want to read your content is the first important step.

The Twitter ‘mute’ function is an essential tool for users who don’t wish to see tweets by people that they don’t want to unfollow but don’t want to hear from any more. Sure some users might want to ‘mute’ a brand, but all that means is that the brand has failed to continue to appeal to the user. Social marketeers shouldn’t be put off by this, rather they should concentrate on producing less annoying/offensive or illegible tweets.

Is social media becoming less social? I’m not sure. What I am sure about is that increasing amounts of people are taking on social media based roles without much knowledge of the craft. We wouldn’t trust a first year graphic designer with a full re-brand project for Apple would we? If companies invested more in their social department, adopting a strong and easy to follow social media policy, social media would be a much better place. Stop getting the teaboy/girl to do your social. Idiots."

So many great points above, on a wider level I think this shift represents a change in both how we use social networks and the internet and our expectations from those things. For arguably the first time in the modern era a generation is growing that can separate itself from intrusive, unwanted advertising - which means the platforms for advertising must change their behaviour accordingly. Concerns about privacy and over-sharing have led to much more closely-knit groups sharing more personal content and the rise of ephemeral media, such as Snapchat, has offered an ingenious antidote to data that exists permanently with ever-diminishing context. 

Our relationship with social networks might have reached a point where the novelty of ease of communication, with brands, acquaintances and friends has worn off. Now people are looking to hone and improve their experience, as well as having an increased sense of their own place within relationships, their security and their vulnerability.

Thanks to all our excellent contributors. 

The Discussion is never over, look out for a new topic in the coming weeks!

What do you think - is social media turning away from its sharing values in search of cold hard cash, or just responding to user behaviour?

Get in touch @chrysalisrec and @_matthewdavies, if you'd like to add your guest opinion to the next discussion, e-mail matthew.davies@chrysalisrecruitment.com


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Friday, June 20, 2014

How to use negative space for positive impact
The latest campaign for Coca Cola, devised by Ogilvy New York, has won hearts and acclaim with its artful use of simple but clever illustration. Three of the poster series use negative space effectively to tie together messages of nature and humanism, while there's a bonus optical illusion as the fourth poster, last played with by Animal Collective for their album cover.


(credit: fubiz)

In an allegedly 'post-advertising' world the simplest real-life cityscape, or even stylised model, can carry myriad connotations that clutter, or worse oppose, the brand's intended message. However moving to a simpler illustrated style allows Coca Cola to heighten the effect of their signature red and white and hone the two values of happiness and environmentalism contained within the ads.

Using negative space to create an image within an image offers an interaction with the user and a duality, which can be used to host complementary or contrasting messages. Perhaps the most prominent illustrator working with negative space imagery is Noma Bar, who has created striking images for The Guardian, The Economist and Esquire often focussing on stark symbolisation of conflict.

(credit: the guardian)

Noma Bar went on to create a more accessible but no less intelligent campaign for IBM, that highlighted the computer-giant's leading conceptual solutions to real-world problems, in a fun and friendly way. Well as fun and friendly as the topic of a giant network cameras watching your every move and its Minority Report-ish heading will allow.


(credit: Noma Bar, 'Negative Spaces')

It's no millennial fad though, the use of negative space was explored heavily by some of the key figures in conceptual art, such as Rene Magritte and MC Escher, while the striking designs of Noma Bar bear an obvious relationship to Pop Art. As it turns out, surrealists love a good bird. 

Magritte 'The Large Family'
(credit: art bible)

One of Escher's tesselations 
(credit: doddleme)


The level of skill and subtlety needed to create these type of designs sees them become far less over-played than some other current design trends (looking at you, translucent backgrounds and indistinguishable flat icons). When it's successfully executed though it tends to make an impact and the latest Coke campaign only serves to highlight that point. The concept even creeps over into physical space, with clever ambient ads using environmental elements to change the image.


As audiences increasingly tune out images and messaging, it takes a much greater proposition to make an impact, but as Koleston, Coca Cola and IBM have proved sometimes the most focused and direct voice speaks loudest above the noise.

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Tuesday, June 17, 2014

High tech software detects if you really like BBC programmes
Working in digital recruitment in Manchester, and also London, it’s always tempting to glance over and see what the monumental cultural institution of the BBC are up to. Right now the Beeb is setting out to trial 200 people’s reactions to BBC programming with the help of high tech start-up CrowdEmotion. The technology can measure reactions to stimuli and detect emotions such as anger, fear, disgust, happiness and surprise.

The face of a man who is very surprised and quite sad, apparently.
(credit: telegraph)


Executive Vice President of BBC Worldwide, David Boyle said "This is the first study of its kind for BBC Worldwide to measure people's emotional responses to programmes using a technology-led, neuroscience approach.
"CrowdEmotion's ability to capture, record and quantify our audience's emotional attachment and engagement to our TV shows, places BBC Worldwide at the forefront of global audience research and ultimately determines what our fans love to watch."
"With today’s media noisier than ever, we’re here to innovate, bring emotions to life and reshape broadcast media through our findings,” he said.
One of the best ways to gauge sentiment the era offers is social media and the BBC would do well avoid some of the criticism they’ve already suffered this World Cup. Least of all, for the safety of the innocent bystanders, such as the unfortunately named Phil Neville (@philneville on twitter), a radiator fitter from Suffolk who received hatred meant for his namesake. The intended Phil Neville, a slightly better defender and the man who singlehandedly eliminated England from Euro 2000, was torn apart for his 'uninteresting' commentary on England vs Italy.
The BBC has found itself embroiled in a few controversies lately and being able to more accurately judge how the viewers' perceptions are affected by these could significantly change the TV landscape. As increasingly TV is being consumed on devices that point a camera back into your face, the potential for the technology going forwards is obvious and wide-reaching.
To look boldly to the future, or maybe just pure fantasy, for a minute – wouldn’t it be fun if we could decide talent shows with a thumbs up or thumbs down, Roman emperor style? (We are sadly aware that's a bit of a myth though)

"Maximus, your rendition of Beyonce's 'Crazy in Love' was spectacular and I can't wait to see you in the live shows"
(credit: lt.vt)
For now though the BBC is just training webcams onto us to check [spoiler in link] we actually like Sherlock as much as we tweet we do. They’ll roll it out globally, to key markets such as Russia and Australia in the coming months.
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Thursday, June 12, 2014

What World Cup fans think of their teams (and each other)
It's bad news for Iran, USA and Argentina as their nations have been revealed as the most 'rooted against' in the upcoming world cup.

(series credit: nytimes)

Other headline news from the NYT's study is that USA believes USA are most likely to win the world cup, while the USA will be rooting squarely against the USA.

Australia and Japan are most enamoured by the beauty of the English game, while Argentina aren't massive fans at all. Argentina themselves face some pretty stiff rivalry from their South American neighbours, who all would much rather see Brazil triumph than the team in blue and white.



England fans are continuining to push Germany as massive rivals, while Germans themselves seem to have turned on Honduras - I have no idea why.

As an England fan it's interesting to note that the previous over-ambitiousness of the last few world cups, when Emile Heskey was first choice centre forward, has turned to no expectation whatsoever despite a team of more technically adept players. In fact we're the most pessimistic nation of all surveyed. Despite being consistently ranked in the top 10 teams in the world, England fans see their country's victory as less likely than South Koreans do their own country. Brazil, Spain and Argentina all believe themselves to be in with a chance and it's hard to disagree.



This level of statistical data is fascinating to see as a football fan and with 2014 being the first truly social World Cup the swathes of data will be flooding our network over the next month.

The whole world is watching, is the cliche, but the truth is 68% of the world's population will be - an impressive figure that far surpasses that of the olympics or the superbowl. 

(series credit: wearesocial)


'Real time fans' are the talk of the town and brands can expect the most opportunity to interact with APAC customers, the sheer weight of population dwarfing other regions. 


But the intensity of Latin America's football is reflected in their top engagement figures, 40% of viewers in those countries responding in real-time to the World Cup Matches.


A final figure of caution, for anyone making a prediction let alone a bet, the guy below has more World Cup goals to his name than Messi, Ronaldo and Rooney combined.

Papa Bouba Diop, goal-scorer extraordinnaire.



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Wednesday, June 11, 2014

We're hiring! Delivery Consultants required.



Delivery Consultant – Digital Marketing Recruitment

Company:

Chrysalis is a well established, boutique recruitment consultancy. With a HQ in Central Manchester and a satellite office in Covent Garden, we focus on delivery across digital marketing for global Media Agencies and Online Brands. We are split into 2 distinct areas – one is the account management of expanding enterprises or multinationals while the other is delivering against one-off specialist roles. We are a small team currently, focussed on providing an outstanding service to clients and candidates alike which means our Consultants bill big figures and reap the financial rewards of providing a first class solution.


Role:

You will be working under an Account Manager, assisting in the filling of high fee vacancies for client companies. You will often be working on multiple roles at a time, across the Digital Marketing spectrum. Your working cycle will be as follows:


  • Briefing on the client/ role by the Account Manager
  • Analysis on the best resourcing plan
  • Candidate search
  • Thorough interviews to assess suitability
  • Delivering a shortlist to the Account Manager
  • Arranging interviews
  • Closing on offer

Over time, the role can move more client-side with a direct route into Account Management.


Requirements:

  • You will have worked in an Agency as a Resourcer/ Resource Consultant for at least 12 months
  • You will be a successful biller through good candidate management
  • You will be able to interface with candidates  in a professional and appropriate manner
  • Either you have worked in Digital Marketing Recruitment or you will have a keen interest in it
  • You may be a Recruitment Consultant looking to get away from a cold-calling desk and eventually into a stable AM role
  • You will have excellent social media/ social recruiting experience
  • You will ideally have demonstrated the recruitment of Senior/ Executive level candidates



Salary:


Basic – based on experience (expected OTE: £30,000 upwards)
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Thursday, June 05, 2014

How Twitter considering buying music streaming as we know it.
If you're reading this in the UK - it's Spotify
If you're reading this in the US - it's Pandora
If you're reading this and you're Dr Dre (congratulations, by the way) - it's Beats Music.

That's pretty much the streaming music landscape, but it's a terrain that'd look very different if Twitter had completed a few of the acquisitions it was considering. The tweeting blue-bird apparently fluttered with the idea of opening its wallet for Spotify or Pandora and has only recently backed off from buying Soundcloud, reaching the advanced stage of holding talks with the company. 

(credit: techcrunch)


Twitter has already made one notable music purchase in its past, taking rather-good Spotify app We Are Hunted and turning it into the ill-fated Twitter #music. In the process robbing many Spotify playlists of decent emerging acts. Nevertheless Twitter integration is arguably much more promising fit for music services than the likes of Facebook as the average user's Twitter communities often much more closely mirror their tastes than Facebook friends gained through the dubious shared experience of proximity. Or to put it succinctly: just because you went to went to primary school with a girl, doesn't mean you'll share her love of showtunes.


We Are Hunted, when it was a very useful Spotify app
(credit: mitchmalone)


While Twitter has reportedly gone off the idea it's hard not to imagine how different things could be if these acquisitions were made. A much closer relationship between music and the content created around it and the artists' own association with their creation.

As someone who writes about social media, but also writes about music, it's a fascinating prospect and Twitter surely needs something to shake up its slowing growth. Numerous times major brands have prospered by associating themselves closer with music and it must be one of the most effective ways to successfully catapult into mass conciousness while also cementing a brand image with intelligent choices.

Converse has built a brand on its rock and roll association.
(credit: ning)


From my point of view this discussion of how Twitter could try to buy Spotify or Pandora is almost secondary to how Twitter should try to buy Spotify or Pandora. If the numbers don't add up for Twitter though, which is not unlikely as Spotify and Pandora rack up huge valuations, then the Soundcloud deal would have been ideal - except it's just abandoned it.

Who's with me?
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Tuesday, June 03, 2014

WWDC: How Apple aims to seduce developers
While the average consumer may be disappointed by the lack of shiny, wallet-draining, new electronic toys announced by Apple at their developer's conference, WWDC, developers themselves have a lot to look forward to (and maybe a little bit to be afraid of).

Say hello, Swift. 
(credit: wired)


The headline news is Swift - Apple's brand new programming language, announced on Monday night in downtown San Francisco. It promises to blend in seamlessly with the language it'll supercede, Objective-C, and to democratise development with easier entry and faster processes. More than that though it can run code as it's written, rather than needing completed blocks to be processed. Beyond that they're 'borrowing' some almost Android-like features, better communication between apps and even third-party widgets, adding customisation to the famously locked-down experience. Albeit they do risk some backlash from the likes of WhatsApp and Snapchat by pretty blatantly lifting some of their most innovative features for the revamped iMessage.

Apple's courting of the developers is hugely important, as is it seemingly letting down its barriers with regards to more co-operation with other large companies. Including Bing as its search driver for its revamped Spotlight feature Apple is taking aim at a clear enemy, and before it really goes to do battle its amassing allies left right and centre (even buying Beats). The co-operation with Microsoft and a welcoming embrace for third-party widgets are a clear indication of Apple looking to bring as many people on board as possible in its overall quest to topple its largest rival, one that just stole its crown of 'most valuable brand'.

Finally Apple is looking to deliver the 'thermonuclear war' it promised; Google is in its sights.
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